![]() On her journey, Sinéad reveals that is wasn’t Peig’s intention to be the subject of hatred among Irish teenagers. Peig was in fact one of the greatest Irish storytellers, a born performer and entertainer. There are many layers to Peig, as I found out whilst making this programme.” Sinéad Ní Uallacháin said: “I wonder what Peig would have said if she knew that we’d still be talking about her, at length, in the year 2021? This woman generously shared not only her life story, but many other stories that she had collected over the years – I don’t believe the abuse she continuously receives is warranted. Presented by broadcaster Sinéad Ní Uallacháin, the documentary is on a rebranding mission to give Peig the mother of all make overs – one that will change her memory in our minds forever. Sinéad will take the viewer on a fascinating journey to find out about the real Peig, listening to recordings of her, dipping into some comedy sketches about Peig, meeting those who love and loathe her, debunking myths and finally uncovering who the real Peig is and a legacy to be proud of. This new documentary will revisit Peig, her personality and her art as a storyteller reclaiming her and portraying her as she has never been before. Peig Sayers – widely considered to be the most hated woman in Irish history has tormented young students across Ireland for decades with her memoir ‘Peig’. Described as boring, unrelenting, and unintelligible, Peig’s autobiography was part of the compulsory Leaving Certificate Irish syllabus until 1995. This documentary was produced by Waddell Media for TG4 with funding support from our Irish Language Broadcast Fund (ILBF). PEIG, a documentary about the storyteller Peig Sayers will air on TG4 on Wednesday 10 th March at 9:30pm. PEIG SAYERS HOUSE MACWhile looking generally at where this influence is evident historically and in contemporary Irish poetry, this work focuses primarily on the work of six poets, three who write in English and three who write primarily in the Irish language: Thomas Kinsella, Seamus Heaney, Ciaran Carson, Gearóid Mac Lochlainn, Nuala Ní Dhomhnaill and Cathal Ó Searcaigh.ILBF documentary on a rebranding mission to give Peig the mother of all make over While providing an innovative analysis of theoretical work in music and literary studies, this book examines how traditional Irish music, including the related song tradition (primarily in Irish), has influenced, and is apparent in, the work of Irish poets. Music would also offer, particularly for poets writing in English from the eighteenth century onwards, a perceived authenticity, a connection with an older tradition perceived as being untarnished by linguistic and cultural division. "The oldest records indicate that the performance of poetry in Gaelic Ireland was normally accompanied by music, providing a point of continuity with past tradition while bolstering a sense of community in the present. The present paper is intended to advance the discussion with reference to the presence, or not, of linguistic essentialism on the part of the Irish state as well of other sectors of society, taking as central texts Seán Ó Riordáin’s famous poem “Fill Arís” as well as a recently completed critical edition of Seán Mac Criomhthain’s folkloric repertoire. Nonetheless, the institutional frames influencing the collection process meant that ultimately the IFC lacked what Ó Giolláin calls an “reflexive ethnology” (141), and this issue therefore merits some discussion. Ó Dálaigh himself was one of the most prolific collectors of the Irish Folkore Commission whose contribution to what is now the National Folkore Collection must be considered as one of the great cultural achievements of Irish history. Mac Criomhthain’s importance stems rather from his mastery of the oral tradition which led Seosamh Ó Dálaigh to place him on a par with Peig Sayers as two of the best informants he had encountered. Seán Mac Criomhthain (1875 – 1955) is not to be confused with Seán Ó Criomhthain, author of Lá Dár Saol and son of Tomás Ó Criomhthain whose famous chronicle of life on the Great Blasket Island was published under the title An tOileánach. ![]()
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